Every project has its own clock!
~ Ken Atchity
Every project has its own clock!
~ Ken Atchity
Listen to Dr. Ken Atchity reframe rejection as an illusion we can see past, instead of the unmovable barrier. It matters. Find out why.
“Whether you succeed or not is irrelevant — there is no such thing, making your unknown known is the important thing — and keeping the unknown always beyond you.”
Georgia O’Keeffe counseled Sherwood Anderson in her 1923 letter of advice on being an artist.
Mentoring Matters - Developing A Career: Learning To Identify The Story You Want And Go After It |
| By Kia Kiso, |
I have more than 90 credits as an AC/Loader, Telecine Colorist and VFX Coordinator, but eight years ago I heeded my lifelong calling to produce. Since then I have shepherded award-winning videos, promos for CBS and launched two feature documentaries on Netflix. In 2013 I joined the PGA because I knew of its many benefits, and I wanted to be part of a community of like-minded creatives. Currently I have focused on building my production company to develop fictional content, with an aim at creating compelling and unique stories in order to make the world a better place. When I applied to the 2016 PGA Mentoring Program, I had just walked away from the option on a book into which I had put a lot of time and resources. I was disappointed and wished I could have saved the project. The experience led me to realize that development was an aspect of producing I was less familiar with. I was looking for expert advice on how to assess opportunities, set up a project for success, handle relationships with authors, lawyers and talent, and run a production company. Thankfully the PGA Mentoring Program paired me with producer Ken Atchity. I was thrilled to be matched with Ken for a lot of reasons, among them his industry experience and teaching background. However I admit, I was especially attracted to his philosophy—“I believe in the power of stories to change the world.” Our first connection was an in-person, 90-minute meeting, in which he gave me feedback on a particular project of mine. Ken had some great advice about pitching—if a project tackles potentially controversial or delicate issues, Ken advised weaving some well-researched statistics or facts into the pitch to send the message that the material wouldn’t suggest a problem for the network and lead to a premature no. He wrapped up the meeting saying I could contact him about the project at any time, even after the mentorship ends. Very generous. Since that first meeting, we’ve had a pivotal phone conversation during which he suggested I was in a great position to go after an option I was very excited about, helping me to design a strategy on how to move forward quickly—starting with enhancing my relationship with the rights owner. He’s been ready to answer any questions by email. Even as recently as this morning, we were in touch to discuss a lunch I was preparing for with a writer who wanted to work with me. Ken has been wonderful. He celebrates my triumphs and brainstorms solutions to my challenges. I am very grateful for his willingness to participate in the Mentoring Program and to the Producers Guild for providing it |
BIG Congratulations to the talented Justin Allen Price Voice Over WINNER of the One Voice Award for best performance of an audiobook/fiction for his narration of Story Merchant Book's Talmadge Farm by Leo Daughtry - Author - Talmadge Farm!
You can now LISTEN to Talmadge Farm on Audible!
This cat door is considered the oldest on record. Installed in 1598, the cat door allowed cats to enter and hunt mice and rats, which were drawn to the lubricated animal fat applied to the mechanics of a large astronomical clock.
Tobe Roberts joins Kevin Smith's 55th Birthday Bash at his comic book store, Jay and Silent Bob's Secret Stash in Red Bank, New Jersey.
In Japan, ancient quarry sites still preserve fascinating traces of how people once cut and shaped massive stones. At many of these sites, you’ll notice neat rows of small square holes carved into the rock—these are wedge sockets, the result of a technique where workers drove wooden or metal wedges into the stone to split it along a straight line. It was a smart and straightforward method that let them carefully control the break and create smooth, uniform blocks.
There’s also evidence that an even older method might have been used. In this technique, dry wooden wedges were inserted into cracks, then soaked with water. As the wood expanded, it slowly forced the rock apart. This approach was also seen in ancient Egypt and other civilizations.
What’s especially intriguing is that Japan has many of these prehistoric stone-working sites, even though its written history only dates back about 1,600 years. This points to a much older and largely unknown tradition of stone craftsmanship. Some of the remaining stone foundations suggest that impressive structures once stood there—now lost to time, earthquakes, or both