In 1963, a man by the name of “Hugh Morris” wrote an illustrated pamphlet that teaches lovers how to kiss.
The charming guide, entitled ‘The Art of Kissing’, tells of the various types of kisses—such as “The Vacuum Kiss” and “The Dancing Kiss”—and gives the reader tips like how to approach a girl for a kiss, and how to kiss girls of different mouth sizes.
It writes: “A kiss can never be absolutely defined. Because each kiss is different from the one before and the one after. Just as no two people are alike, so are no two kisses like. For it is people who make kisses. Real, live people pulsating with life and love and extreme happiness.”
Obviously just one of the silly things that humans have come up with in the past—when chivalry was probably not yet dead?—The Art Of Kissing makes one wonder: who knew there was really so much to think about when it comes to kissing?
It does, however, make for an amusing browse.
The Art of Kissing is available on Amazon.
Check it out below:
“Where the girl’s mouth is of the tiny, rosebud type, then one need not worry about what to do… However, there are many girls whose lips are broad and generous, whose lips are on the order of Joan Crawford’s, for instance. The technique in kissing such lips is different. For, were one to allow his lips to remain centered, there would be wide expanses of lips, untouched and, therefore, wasted. In such cases, instead of remaining adhered to the center of the lips, the young man should lift up his lips a trifle and begin to travel around the girl’s lips, stopping a number of times to drop a firm kiss in passing. When you have made a complete round of the lips, return immediately to the center bud and feast there. Feast there as did the lover of Fatimas, in Tennyson’s poem, in which it was written that: ‘Once he drew, with one long kiss, my whole soul through my lips—as sunlight drinketh dew.’
Then, sip of the honey.
Like a bee that settles on the fragrant pistils of a flower, and sips in the nectar for honey, so should you sip in the nectar from between the lips of your love. And it is nectar. For there is in this mingling a symbol of the holy communion of the spirits of two soul-mates, joined together in the bonds of an indissoluble love.”
“The lips are not the only part of the mouth which should be joined in kissing. Every lover is a glutton. He wants everything that is part of his sweetheart, everything. He doesn’t want to miss a single iota of her ‘million-pleasured joys’ as Keats once wrote of them. That is why, when kissing, there should be as many contacts, bodily contacts, as is possible. Snuggle up closely together. Feel the warm touch of each other’s bodies. Be so close that the rise and fall of each other’s bosoms is felt by one another.”
“Here you start off by first opening your mouth a trifle just after you have been resting peacefully with closed lips. Indicate to your partner, by brushing her teeth with the tip of your tongue, that you wish for her to do likewise. The moment she responds, instead of caressing her mouth, suck inward as though you were trying to draw out the innards of an orange. If she knows of this kiss variation, your maid will act in the same way and withdraw the air from your mouth. In this fashion, in a very short while, the air will have been entirely drawn out of your mouths. Your lips will adhere so tightly that there will almost be pain, instead of pleasure. But it will be the sort of pain that is highly pleasurable. That may sound odd, but nevertheless it is a fact. Pain becomes so excruciating as to become pleasurable.”
“A very pleasant way to kiss is found in the ‘dancing kiss.’ Here, again, it is the closeness of the bodies of the participants that adds to the enjoyment. What more could a pair of lovers ask for than a dimly lighted dance floor, the tender, rhythmical strains of a waltz being played by Wayne King, their arms around each other, their eager young bodies kissing each other in a myriad of excitable places, the while their cheeks meet in glowing, velvety strokes?”
Reposted from Design Taxi