Can We Grow Our Spirits As Fast As Our Tech?


by Bob Rivenbark 


Get The Cloud: A Speculative Fiction Novel On Amazon Today!


We’re plunging into a future of stupendous technological wonders. AI. VR. Bioengineering. Can we manage these breakthroughs wisely—or will they destroy us?

After Europe rediscovered classical Greek philosophy through medieval Arabic translations, it sparked the Renaissance, Enlightenment, and Industrial Revolution. Stupendous achievements. But at what cost?

As literacy, technology, and science expanded, so did the human ego. Eventually, many felt the ego had replaced God.

But humanity can’t live without worship. The result: disastrous social and political revolutions: fascism, communism, Nazism—regimes worshipping strongmen such as Hitler, Stalin, and Mao.

Those who don’t worship charismatics tyrants can worship science and technology instead. Science and technology answer the deep human yearning to know “How can we do it?” But they can’t answer, “Why should we do it? And what will it mean if we do?”

Robert Rivenbark’s speculative fiction novel THE CLOUD dramatizes the horrors we may face if we can’t reconnect with our spiritual roots. We’re becoming a race of technocratic supermen with the maturity of infants. Can we save ourselves in time? 

Visit www.thecloudnovel.com to learn more.





86 years ago on October 30th... by Joey Kent


86 years ago, my fifteen-year-old dad woke up on the couch of a friend in New York, and they decided to go shake things up at Radio City Music Hall, so he and 23-year-old Orson Welles went and made the whole "War of the Worlds" thing. "We're gonna scare the shit out of people tonight," Orson told my dad. "Mark my words." 

And the next day, after recording the broadcast for posterity since they weren't required to do so the night prior, but the FCC damn sure wanted a record of it when the sun came up, Orson looked at my dad and simply said, "I told you so." Orson predicted his innovative movie production "Citizen Kane" would do for movies what "War of the Worlds" had done for radio. Once again, Orson was right, and he sent this headshot to my father and inscribed it in a way my father would understand and appreciate.

 


Dennis Palumbo - How Therapists Are Depicted In Film & Television


 




On The Stuph File Program radio show, Dennis Palumbo, one of my favorite mystery writers, is also a psychotherapist. He talks about how his profession is depicted in film & television. 

He wrote an essay for Ellery Queen Mystery Magazine about this topic entitled "Your Shrinks Might Need To Be Shrunk". He was also the Consulting Producer on the recent Hulu series, "The Patient", which is about a therapist held hostage by a serial killer hoping to be cured of his homicidal tendencies. His thriller series contains six Dr. Daniel Rinaldi novels, with the latest one being "Panic Attack."

Letter of His Holiness Pope Francis on the Role of Literature in Formation

Pope Francis, in his letter on the role of literature in formation dated August 4th, extols the value of reading novels and poetry as an indispensable tool for the personal and spiritual growth of every Christian, including the missionaries of the Congregation of the Mission founded by St. Vincent de Paul.

Letter from the Holy Father Francis on the role of literature in formation 2

Literature is not just a means of entertainment but a vehicle for exploring and understanding the depths of the human soul, fostering a fruitful dialogue with contemporary culture, and enhancing the empathetic and pastoral capacity of ecclesial workers. Pope Francis calls for a radical shift in the formation of priests, valuing literature as an essential component of their educational journey:
“With this writing, I wish to propose a radical shift concerning the great attention that, in the context of the formation of candidates for the priesthood, must be paid to literature.”

Summary and Commentary of the Chapters

Pope Francis begins by emphasizing how the reading of novels and poetry is crucial in the personal maturation journey of every Christian, including priests and pastoral agents. He notes that finding a good book can offer relief during moments of solitude and difficulty, opening new inner spaces and preventing entrenchment in obsessive ideas. In an era dominated by digital media, this practice retains its irreplaceable value.

The Pope reflects on the active role of the reader in enjoying a literary work. Unlike audiovisual media, reading stimulates the imagination and creativity, allowing the reader to rewrite and expand the text with their personal experience. This process enriches both the reader and the work itself, creating a unique and personal synthesis with each new reading.
Pope Francis criticizes the scant attention paid to literature in the training paths of future priests. He argues that neglecting literature leads to intellectual and spiritual impoverishment, depriving seminarians of privileged access to the heart of human culture. He thus proposes a radical change that integrates literature as an essential part of priestly formation.

The Holy Father highlights how literature allows for an authentic dialogue with contemporary culture. Quoting the Second Vatican Council, the Pope states that literature expresses the human condition, illustrating its joys and sufferings. Ignoring literature means losing the opportunity to understand and interact with various cultures and their deepest expressions. Sharing his experience as a literature teacher, Pope Francis recounts how he encouraged his students to read authors they were interested in, then guided them towards a broader passion for literature. This method has shown that approaching literature through what one loves can lead to a deeper and more lasting discovery of the love of reading.

Faith and culture

For a believer, literature becomes an indispensable means of entering into dialogue with the lives of people and the culture of their time. The Pope reiterates that literature, by expressing real life events, allows one to speak to the hearts of men and grasp the presence of the Spirit in human events.
“Contact with different literary and grammatical styles will always allow for deepening the polyphony of Revelation without reducing or impoverishing it to one’s historical requirements or mental structures.”

Never a Christ without flesh

Pope Francis draws attention to the current religious context, characterized by a return to the sacred and a spiritual quest that can be ambiguous. He emphasizes the importance of not offering a “Christ without flesh” but of proclaiming an incarnate Jesus Christ, made human and historical. This is essential to adequately respond to people’s thirst for God. According to the Pope, literature helps future priests develop a sensitivity to the full humanity of the Lord Jesus, allowing them to proclaim the Gospel in a way that truly touches the concrete lives of people.
“an assiduous frequentation of literature can make future priests and all pastoral agents even more sensitive to the full humanity of the Lord Jesus, in which His divinity is fully poured out, and to proclaim the Gospel.”

A great good

In this chapter, Pope Francis illustrates the multiple practical benefits of reading. Reading improves vocabulary, stimulates imagination and creativity, helps to express oneself better, improves concentration, and reduces stress and anxiety. Moreover, reading prepares people to understand and face various life situations. Quoting famous authors, the Pope highlights how reading allows one to live intense and diversified experiences in a short time, broadening our understanding of the world and of ourselves.
“In reading, we dive into the characters, the concerns, the dramas, the dangers, the fears of the people who have ultimately overcome the challenges of life.”

Listening to someone’s voice

Pope Francis cites Argentine writer Jorge Luis Borges, highlighting the importance of direct contact with literature and “listening to someone’s voice.” Reading sensitizes one to the mystery of others and helps to touch their hearts. This process is essential for believers and particularly for priests whose task is to touch the hearts of contemporary human beings. Literature and poetry, with their ability to move, offer an unparalleled contribution to this effort.
“Here is a definition of literature that I like very much: listening to someone’s voice. And do not forget how dangerous it is to stop listening to the voice of the other who calls out to us!”

A sort of gym of discernment

Literature is described as a “gym of discernment” that refines the inner and outer scrutiny capacities of future priests. By reading, seminarians learn to navigate between salvation and perdition, living the act of reading as a process of discernment. Literature stimulates the reader to explore their own inner truths, offering a safe space to confront anxieties and spiritual crises. This exercise is compared to the Ignatian experience of “desolation,” where inner turmoil can lead to greater awareness and growth.

“The act of reading is then like an act of “discernment,” thanks to which the reader is personally involved as a “subject” of reading and at the same time as an “object” of what he reads.”

Attention and digestion

According to Pope Francis, reading is like a “telescope” that focuses on the complexity of human experience. Literature helps to slow down, contemplate, and listen, counterbalancing the tendency towards efficiency and superficiality. The reading process is compared to “digestion,” an action that allows one to assimilate and interpret life in depth. This hospitable approach to reality fosters a more complete and sensitive understanding of people and situations.
“literature helps us to say our presence in the world, to “digest” and assimilate it, capturing what goes beyond the surface of life; it serves, therefore, to interpret life, discerning its fundamental meanings and tensions.”

Seeing through the eyes of others

By reading, one acquires the ability to “see through the eyes of others,” expanding our humanity and developing empathy. Literature allows us to identify with the experiences of others, fostering solidarity, compassion, and mercy. This process makes us more sensitive to the sufferings and joys of others and helps us better understand their lives and desires. Reading thus becomes an experience of personal growth and human sharing.
“When one reads a story, thanks to the author’s vision, everyone imagines in their own way the tears of an abandoned girl, the elderly woman covering her sleeping grandson’s body, the passion of a small entrepreneur trying to move forward despite difficulties, the humiliation of one who feels criticized by everyone, the boy who dreams as the only way out of the pain of a miserable and violent life.”

The spiritual power of literature

Pope Francis concludes by highlighting the crucial role of literature in the education of the heart and mind of future priests. Literature frees language from static conventions, allowing for greater spiritual openness. Furthermore, it recalls the primary task entrusted by God to man: to “name” beings and things, giving them meaning and creating communion. This affinity between priest and poet manifests in a ministry of listening and compassion, where the literary word becomes a vehicle for the divine Word.
“The spiritual power of literature finally recalls the primary task entrusted by God to man: the task of “naming” beings and things (cf. Gn 2:19-20). The mission of guardian of creation assigned by God to Adam passes first and foremost through the recognition of the reality and meaning of the existence of other beings. The priest is also invested with this original task of “naming,” of giving meaning, of becoming an instrument of communion between creation and the Word made flesh and of its power to illuminate every aspect of the human condition.”

Literature as an access route to the mysteries of man

The Pope concludes by affirming that literature uncovers the abysses of the human soul and helps pastors engage in fruitful dialogue with contemporary culture. Literature is an “access route” that makes future priests more sensitive to the full humanity of the Lord Jesus, promoting a proclamation of the Gospel that authentically resonates in the hearts of people.
Pope Francis’s letter is an invitation to rediscover the spiritual power of literature in priestly formation. For the missionaries of the Congregation of the Mission, this means embracing reading as a tool for personal and pastoral growth, to better understand and accompany humanity in its search for meaning and redemption. Literature thus becomes an indispensable traveling companion for every missionary, capable of enriching their vocation and service. Especially for confreres engaged in Vocational Pastoral Ministry, literature can be the means to help in discerning those young people who wish to approach the Vincentian charism to clothe themselves in Christ and to serve the poor in the best possible way!


Girolamo Grammatico
Communication Office

ELLERY QUEEN’S MYSTERY MAGAZINE Features Dennis Palumbo's "The Patient" and My Patients!

 

“The Patient” and My Patients (by Dennis Palumbo, M.A., MFT)

Dennis Palumbo, M.A., MFT is a writer and licensed psychotherapist in private practice, specializing in creative issues, primarily in the entertainment industry. His award-winning series of mystery thrillers—Mirror ImageFever Dream, Night Terrors, Phantom Limb, Head Wounds and the latest, Panic Attack—feature psychologist and trauma expert Daniel Rinaldi. He’s also the author of Writing From the Inside Out, as well as a collection of mystery short stories, From Crime to Crime. Recently he served as Consulting Producer on the Hulu limited series The Patient, and here (in an article first published in the journal Capital Psychiatry) he tells us about how the play out of the television crime drama affected his real-life patients.

After seventeen years as a Hollywood screenwriter (the film My Favorite Year; the sitcom Welcome Back, Kotter, etc.), I retired from show business and have been a licensed psychotherapist in private practice for over thirty years. During this time, my writing has been confined to articles and reviews, as well as a series of mystery novels whose protagonist is a psychologist. My point is, it’s been so long since I was a dues-paying member of the Hollywood industry that I was quite surprised to hear from the team of Joel Fields and Joe Weisberg. Writers of the award-winning TV series The Americans, they’d reached out to me to act as advisor on a new show they were developing. Called The Patient, it was about a serial killer who kidnaps and holds hostage a well-known therapist, in hopes that he can “cure” the killer of his homicidal urges.

Apparently, my former career as a script writer and my current one as a therapist prompted them to see me as a reasonable person to act as consultant on the new series. Essentially, what they wanted was for me to vet each episode’s scripts for clinical accuracy and to “make sure the therapist sounded like a therapist”—or as much like one as possible given the bizarre circumstances of the show’s premise.

Over the coming months, I did my best to keep the narrative within the range of plausibility, including suggesting the occasional line of dialogue or therapeutic interpretation.  Just as we were finishing the script for the last episode, it was announced that Steve Carell had been cast as the therapist. A wonderful actor, he’d been given a salt-and-pepper beard and glasses. Whether or not it was conscious on the writers’ part, he looked somewhat like me. Which, at the time, I just found amusing.

My working relationship with Fields and Weisberg was one of the most pleasant professional experiences of my life. Moreover, the two writers were very gracious about my contribution when doing PR interviews leading up to the series premiere.  During one such interview, when writing up the story for Newsweek, the reporter off-handedly mentioned that Carell’s character looked like me.

It wasn’t until the series began airing on Hulu that the ramifications of this became apparent in my therapy practice. A number of patients who’d begun watching the show pointed out that Carell’s therapist character looked a lot like me, and on occasion even sounded like me. (No surprise, since I’d suggested some of the therapeutic comments the therapist made.) Naturally, I had to process this with these patients, some of whom were quite upset at seeing the therapist chained to a bed, helpless. More than one half-jokingly worried that the series’ premise would give “some crazy person” the idea of kidnapping me. Did I feel I was in danger? they asked. I answered honestly that I didn’t, while privately wondering why I’d never even entertained that idea when working on the show.

Moreover, had I been unforgivably clueless in not anticipating this reaction from my patients? I reminded myself that Steve Carell hadn’t been cast until the series’ scripts were almost finished, that I had no idea he’d be playing the therapist, and certainly no idea how they were going to make him look. Yet I still felt pangs of remorse for the distress the show’s depiction of the therapist was causing for some of my patients.

As the weeks went on, and episode after episode aired, it became obvious that seeing an avatar of their therapist was upsetting to a number of my patients. Of equal interest during sessions was the reaction of those patients who found the whole thing amusing, or at least presented it as such. They even joked with me about the series’ story-telling: why didn’t the therapist try harder to escape? Why didn’t he just refuse to talk to the serial killer? Is this how you would react in this situation, Dennis?

Of course, the narrative choices displayed on-screen were made by the show’s writers, not me. I was merely the consultant. But this didn’t matter. What did matter, and what ended up being of real clinical interest (and value) was what some patients’ transferential connection to the therapist character and the story revealed about both their own core issues and their relationship with me. As Robert Stolorow has reiterated, there is only subjectivity and context; in this unusual situation, there was a patient’s subjective experience of me in the context of our therapeutic relationship, and then a kind of meta-subjectivity/context experience through the narrative of a TV series.

(SPOILER ALERT: I’m going to discuss the series’ final episode)

For a select few of my patients, as I’d expected, it was the series’ final episode that elicited the strongest reaction. Not only does the therapist fail to escape, he’s strangled to death on-screen by the serial-killer patient. This horrible murder is hardly ameliorated by the killer’s decision to send an anonymous letter to the therapist’s family, telling them where they can find the body so it can have a proper funeral. The last time we see the serial killer, he’s the one chained to the bed, his mother holding the key to the chain’s lock. Since she’s known all along about her son’s activities, we’re left to wonder if/when she’ll release him to potentially kill again.   

A couple patients revealed that they’d cried at the end, one of them pointing an accusing finger at me and saying, “You better not fucking die!” Again, said half-jokingly. And yet, not. The few others who’d stayed with the show all the way to the end were angry at both the series’ writers and at me. Their reactions ranged from disbelief (“How could they end a show like that? How come the killer gets away with it?”)  to frustration (“That’s not fair to the viewers. We deserved a better ending.”) to simple creative criticism (“I hate ambiguous endings.”).

As difficult as the sessions were with these patients over the course of the series’ run (including my own guilt at having put them through it), some of the clinical work that arose from our discussions was quite beneficial. A greater understanding of the contextual nature of our therapist/patient relationship undoubtably occurred. Moreover, we often reached a deeper understanding of the dependency/resentment dynamic at work in the therapeutic dyad. And, in one or two cases, the discussion regarding the show was a springboard to a more energized, proactive engagement on the patient’s part.

Still, I have somewhat mixed feelings about my participation in the series. It was often an exhilarating experience, due primarily to the talent, receptivity and warmth of both Joel Fields and Joe Weisberg. And while I regret the distress that the lead character’s words and looks evoked in a few of my patients, I also felt this similarity led to real forward progress in our work together.  A potential disjunction becoming a fruitful conjunction.

That said, if I’m ever asked to consult on another series, my only hope is that the lead character looks like someone else.


via Something is going to happen 

The Last Female Eagle Hunter of Mongolia: A Captivating Portrait of an Ancient Tradition

German photographer Leo Thomas recently traveled to the Altai region in Western Mongolia to document the ancient art of eagle hunting. This traditional form of falconry has been practiced for thousands of years by a small group of nomads who train birds of prey to help hunt wild animals such as foxes and small hares

While most eagle hunters today are male, Thomas had the opportunity to meet one of just ten eagle huntresses in Mongolia: Zamanbol, a member of a Kazakh nomad family who spends her weekdays in school in the city and her weekends training with her trusted eagle alongside her 26-year-old brother Barzabai.



Thomas captured stunning images of Zamanbol on horseback, dressed in handmade fur clothing, and emitting a free-spirited strength and unbreakable bond with her eagle. Through his lens, he also documented the beauty of the Altai region and the unique culture of the eagle hunters.