By Alexandyr Kent • akent@gannett.com • July 8, 2009
On the big and small screens, Shreveport has already doubled for Alaska in "The Guardian," New York in "Factory Girl," New Orleans in "Thief" and Portland in "Mr. Brooks." In the near future, locations in northwest Louisiana will be disguised as Miami in "Harold & Kumar 2," Kansas City in "Mad Money," rural Virginia in "For Sale by Owner" and Maine in "The Mist."
For location manager Ed Lipscomb, there has been only one look he couldn't replicate in northwest Louisiana.
"It's the ocean, that's it," said Lipscomb, who has completed four films here. "From my point of view, this is a gold mine."
Production companies like the fact the urban Shreveport area is surrounded by hills, lakes, rivers and different types of topography.
"It wasn't until the hurricanes that any of the location managers realized all that we had to offer and that we could be Anywhere, USA," said Clare France, director of community outreach at the Robinson Film Center. She also works as a industry liaison for an advocacy group called the Northwest Louisiana Film Alliance.
Locations that can't be "doubled" within northwest Louisiana are recreated on soundstages. There are three soundstages in Shreveport, one wave tank and more production facilities on the way.
StageWorks of Louisiana
StageWorks of Louisiana completed $2 million worth of upgrades in December. It offers two large soundproof soundstages and lots of office space.
The facility has been used by "Mr. Brooks," "The Year Without a Santa Claus," "The Mist" and "Mad Money."
StageWorks used to be Expo Hall. In April 2006, the city of Shreveport leased the building to a group of private investors for the purpose of converting it into a soundstage.
"We feel like the facility turned out very well," said managing partner Mike Moorhead. "We feel like we are going to continue to attract a slate of TV and film projects."
Stage West
Stage West has kept a low profile but has actually attracted five projects — "Factory Girl," "Initiation of Sarah," "Blonde Ambition," "Cleaner" and "Mad Money."
It's owner, Teri McGuire, has poured $3 million into the repurposed warehouse so far and is planning $2 million in upgrades.
In addition to offering soundstages, offices and storage space, Stage West has partnered with TurnKey Louisiana, a consortium of equipment vendors, to make its facility more attractive.
TurnKey offers lighting, camera, sound and grip equipment for rent and sale from Hollywood vendors. Also added are post-production editing suites.
"For a filmmaker, having all the tools under one site make it a hell of a lot easier," said Gary Strangis of TurnKey Louisiana.
Mansfield Studios
"Harold & Kumar 2" and "The Better Man" have shot at Mansfield Studios, and "The Mist" used it for storage.
Mansfield Studios used to be the AT&T plant, but a big part of the one million square-foot building has been set aside for film production.
"Because it's extremely large, we're fairly nimble," said Lampton Enochs. His company, Louisiana Production Consultants, manages the facility.
Louisiana Wave Studio
Many scenes from The Guardian, starring Kevin Costner and Ashton Kutcher, are being filmed in a giant water tank that was built especially for the production in Shreveport. Val Horvath/The Times
Northwest Louisiana also offers the Louisiana Wave Studio, a 750,000-gallon wave tank, which was constructed for the making of "The Guardian," a Touchstone Pictures feature about the U.S. Coast Guard.
"We hope to have our first clients in there by early July or August, but nothing is quite nailed down," said facility partner Ken Atchity. "We want to rent it to studios. The question is, 'When does a major studio have a major water picture about to roll?'"
Atchity believes Hollywood makes five major water pictures per year.
"If we can get one or two of those five, we'll be great," Atchity said.
More facilities to come
All the buildings have been retrofitted to accommodate the industry.
Millennium Films and RiverDream Productions, which are producing movies here, have said they are building or establishing production facilities.
Millennium Films executive producer Michael Flannigan said his company is in negotiations to build a 100,000-square-foot facility valued at $7 million to $10 million.
"We plan on doing probably six pictures a year," Flannigan said.
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