Director Cecil B. DeMille used the Eastern atmosphere to give a proto-noir sheen to the story of a foolish society woman with a cash-flow problem and the rich ivory merchant who loans her money in exchange for her sexual favors.
Women went wild for Hayakawa. When the highly successful film was re-released in 1918, the ivory merchant’s nationality was changed to Burmese to appease protests from the Japanese community in southern California. Hayakawa’s career was crowned by an Oscar nomination for Bridge on the River Kwai in 1957.
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