The Protester
Photograph by Peter Hapak for TIME
Once upon a time, when major news events were chronicled
strictly by professionals and printed on paper or transmitted through
the air by the few for the masses, protesters were prime makers of
history. Back then, when citizen multitudes took to the streets without
weapons to declare themselves opposed, it was the very definition
of news — vivid, important, often consequential. In the 1960s in
America they marched for civil rights and against the Vietnam War; in
the '70s, they rose up in Iran and Portugal; in the '80s, they spoke out
against nuclear weapons in the U.S. and Europe, against Israeli
occupation of the West Bank and Gaza, against communist tyranny in
Tiananmen Square and Eastern Europe. Protest was the natural
continuation of politics by other means.
And then came the End of History, summed up by Francis Fukuyama's
influential 1989 essay declaring that mankind had arrived at the "end
point of ... ideological evolution" in globally triumphant "Western
liberalism." The two decades beginning in 1991 witnessed the greatest
rise in living standards that the world has ever known. Credit was easy,
complacency and apathy were rife, and street protests looked like
pointless emotional sideshows — obsolete, quaint, the equivalent of
cavalry to mid-20th-century war. The rare large demonstrations in the
rich world seemed ineffectual and irrelevant. (See the Battle of
Seattle, 1999.)
There were a few exceptions, like the protests that, along with
sanctions, helped end apartheid in South Africa in 1994. But for young
people, radical critiques and protests against the system were mostly
confined to pop-culture fantasy: "Fight the Power" was a song on a
platinum-selling album, Rage Against the Machine was a platinum-selling
band, and the beloved brave rebels fighting the all-encompassing global
oppressors were just a bunch of characters in The Matrix. (See pictures of protesters around the world.)
"Massive
and effective street protest" was a global oxymoron until — suddenly,
shockingly — starting exactly a year ago, it became the defining trope
of our times. And the protester once again became a maker of history.
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